"No," Mrs. Gereth replied, "but because they belong to the house and the house belongs to Owen. If I should wish to take anything, she would simply say, with that motionless mask: 'It goes with the house.' And day after day, in the face of every argument, of every consideration of generosity, she would repeat, without winking, in that voice like the squeeze of a doll's stomach: 'It goes with the house—it goes with the house.' In that attitude they'll shut themselves up." "A great mistake! That's all right." He spoke—it wasn't clear to her why—as if this declaration were a great point gained.!

"I'm thinking," Fleda continued, "of the simple question of his keeping faith on an important clause of his contract: it doesn't matter whether it's with a stupid girl or with a monster of cleverness. I'm thinking of his honor and his good name." "Not a whisper, not a step, in all the eight days. Perhaps they don't know. Perhaps they're crouching for a leap."

Fleda had fully recognized, the first days, that, quite apart from any question of letting Owen know where she was, it would be a charity to give him some sign: it would be weak, it would be ugly, to be diverted from that kindness by the fact that Mrs. Gereth had attached a tinkling bell to it. A frank relation with him was only superficially discredited: she ought for his own sake to send him a word of cheer. So she repeatedly reasoned, but she as repeatedly delayed performance: if her general plan had been to be as still as a mouse, an interview like the interview at Ricks would be an odd contribution to that ideal. Therefore with a confused preference of practice to theory she let the days go by; she felt that nothing was so imperative as the gain of precious time. She shouldn't be able to stay with her father forever, but she might now reap the benefit of having married her sister. Maggie's union had been built up round a small spare room. Concealed in this apartment she might try to paint again, and abetted by the grateful Maggie—for Maggie at least was grateful—she might try to dispose of her work. She had not indeed struggled with a brush since her visit to Waterbath, where the sight of the family splotches had put her immensely on her guard. Poynton moreover had been an impossible place for producing; no active art could flourish there but a Buddhistic contemplation. It had stripped its mistress clean of all feeble accomplishments; her hands were imbrued neither with ink nor with water-color. Close to Fleda's present abode was the little shop of a man who mounted and framed pictures and desolately dealt in artists' materials. She sometimes paused before it to look at a couple of shy experiments for which its dull window constituted publicity, small studies placed there for sale and full of warning to a young lady without fortune and without talent. Some such young lady had brought them forth in sorrow; some such young lady, to see if they had been snapped up, had passed and repassed as helplessly as she herself was doing. They never had been, they never would be, snapped up; yet they were quite above the actual attainment of some other young ladies. It was a matter of discipline with Fleda to take an occasional lesson from them; besides which, when she now quitted the house, she had to look for reasons after she was out. The only place to find them was in the shop-windows. They made her feel like a servant-girl taking her "afternoon," but that didn't signify: perhaps some day she would resemble such a person still more closely. This continued a fortnight, at the end of which the feeling was suddenly dissipated. She had stopped as usual in the presence of the little pictures; then, as she turned away, she had found herself face to face with Owen Gereth. Mrs. Gereth stared; the cloud gathered in her face again. "Why, in the name of goodness, when you adore him? I know what you see in him," she declared in another tone. "You're right!" The girl thought an instant; then met the difficulty by adopting, as an amendment, the same tone. "As any danger of the ridiculous."